Publishers have a lot of power. Written material shapes thinking and conversations. When they choose a book or article, they are using physical and mental space that might have gone elsewhere.
For many, many years in the English-speaking countries, that space has gone to white cis men, excluding other voices. Compounding the exclusion has been misogyny in many of those men’s writing.
I gave up reading fiction a long time ago. It was all men’s viewpoints. When Henry Miller’s Tropics became legal in the US, I read them. An older male colleague asked me what I thought. I don’t recall my exact response, but it was along the lines of it being a viewpoint I didn’t recognize. And Norman Mailer and John Cheever and John Updike and Philip Roth and too many others.
What are the rules of engagement for a mob of highly-equipped men, with layers of protective clothing, against a woman wearing no clothes?
That was the situation in Portland on July 18. The woman was as unidentifiable as the men, wearing only a mask and a knit cap. She appeared, danced, and then sat to expose her vulva to the men. Photo showing nudity after the fold.
Some time back, I started a Twitter thread which I called “Adventures in Masculinity.” I wanted to bring attention to examples of masculine gendering where it was not needed to explain or talk about something but might go unnoticed. The thread is up to 86 entries now, with the last two example tweets having been deleted by their authors. I guess I need to do screenshots.
The Trump administration is masculinist and patriarchal in all things, with misogyny, racism, and xenophobia thrown in. It’s hard not to notice the photos of white men in suits sitting around tables or chatting with each other. I have tried to avoid such obvious things in my thread.
Recently, I’m seeing a throughline that may not be obvious that starts at macho self-presentation and links to the administration’s dislike of arms control treaties.
When incels started shooting women, it seemed to me that I had read an analysis of something similar. It took me a while, but I recalled Leslie Fiedler’s Love and Death in the American Novel, from the early 1960s. Seems like now might be a good time to look at that book.
In the early 1960s, second-wave feminism was just getting started in the United States. Birth control pills were new. The civil rights movement was ramping up. AIDS and public recognition of gay issues were in the future. I wondered whether Love and Death could still be relevant. I hadn’t read it in a long time and didn’t remember much of it.
I looked it up and bought a copy of the revised edition from 1966. The original was 1960, before Betty Friedan’s Feminine Mystique, although after Simone de Beauvoir’s Second Sex. I skimmed the sections about earlier literature, but the critique of 19th century literature, particularly James Fenimore Cooper, Herman Melville, Henry James, and Mark Twain was clearly relevant. Read More
Secretary of State Mike Pompeo had a meltdown last night after he had earlier claimed the talks with North Korea were “productive” and made progress “on almost all of the central issues,” followed by North Korea’s blast at “unilateral and robber-like denuclearization demands as [complete, verifiable and irreversible denuclearization (CVID)], declaration and verification that go against the spirit of the North-U.S. summit meeting.”
Pompeo returned that if the US is behaving like a gangster, then so is the rest of the world, referring to United Nations resolutions that North Korea disarm. (One Korean speaker says that “robber” is a better translation than “gangster.”) He then went on to say that North Korea did not have an issue with CVID, directly contradicting North Korea’s statement of its position. He also went back to the importance of “maintaining maximum pressure” on North Korea, after Donald Trump had backed off from that phrase. Read More
Hundreds of films and television series were produced in the middle of the twentieth century on the theme of the lone gunman saving a town. An isolated frontier town is in trouble, usually from marauders who are stealing cattle and menacing women and children. A rugged, handsome hero rides in and saves the town.
The variations are endless. The troublemakers may be from the town or from outside. They are often nonwhite and the town primarily white, with a few people of color scattered in. The leadership of the town, usually white men, are ineffective or injured. The hero is white and may, as in the case of the Lone Ranger, have a nonwhite sidekick. He may become romantically involved with one of the women of the town, but he seldom stays. The narrative is gendered and racialized. Read More